
SKINTIGHT at Geffen Playhouse
Erin Conley – On Stage & Screen Jodi Isaac (Idina Menzel) is feeling insecure. On paper, there’s no reason she should be—she is a successful lawyer at a top firm in Los Angeles, she has more or less successfully raised…

Erin Conley – On Stage & Screen Jodi Isaac (Idina Menzel) is feeling insecure. On paper, there’s no reason she should be—she is a successful lawyer at a top firm in Los Angeles, she has more or less successfully raised…

Erin Conley – On Stage & Screen What does intimacy look like after two people have been forever changed by a devastating tragedy? The Solid Life of Sugar Water, a play by Jack Thorne (Harry Potter and the Cursed Child) currently in…

Deborah Klugman – Stage Raw Everyone is wounded — that’s the overarching theme of The Heal, writer/director Aaron Posner’s ironical, imaginative play about living with pain and choosing to do the right thing even if you’re unclear just what that thing…

Erin Conley – On Stage & Screen In his sixth one-man show, Tony winner John Leguizamo is back on stage with Latin History for Morons, a timely and engaging piece that is part comedy special, part solo revue, and part poignant academic…

Lovell Estell III — Stage Raw Stephen Adly Guirgis has a knack for scripting characters that “stick” with you, and a keen ear for dialogue that is, by turns, wrenching and humorous. In this dramedy, Guigis creates a gallery of…

Erin Conley – On Stage & Screen When the lights rise on Handjob, a play by Erik Patterson currently in its world premiere at the Echo Theater Company in Los Angeles, we meet Keith (Steven Culp). Keith is a gay, white…

Deborah Klugman – Stage Raw In The Picture of Dorian Grey, Oscar Wilde’s title character makes a Faustian pact to preserve his beauty at the price of his soul, transitioning, in the course of the narrative, from a naïve, guilt-free youth…

Terry Morgan – Talkin’ Broadway When The Witch of Edmonton (written by William Rowley, Thomas Dekker and John Ford) premiered in 1621, its tale of a woman selling her soul to the devil to gain revenge on her neighbors was…

Katie Buenneke – Stage Raw When it comes to buffets, it seems the early bird does catch the worm — or at least, the early bird gets to eat her food before anyone else touches it. This is the conclusion…

Erin Conley – On Stage & Screen Since the publication of Mary Shelley’s novel Frankenstein in 1818, it has been interpreted and adapted in many ways. In 2011, a stage adaptation by Nick Dear debuted at the National Theatre in London, and…