Deborah Klugman – Stage Raw. In Manuel Puig’s stage play, Kiss of the Spider Woman, two fundamentally different personalities — a gay man accused of sexual relations with a minor, and a political prisoner-slash-macho straight guy working to overthrow a repressive regime — are housed together in a dingy cell with wretched food, dim lighting, … Read more
Deborah Klugman – Stage Raw. One of America’s most popular playwrights in the 1950s, William Inge drew on his childhood and youth in a small Kansas town for his incisive portrayals of life in the American Midwest. Inge eventually fell out of favor with critics and audiences alike, a decline precipitated in part by a … Read more
Harker Jones – BroadwayWorld. Tony-nominated playwright Lucas Hnath’s THE THIN PLACE is an eerie meditation on grief, regret and the need for closure, though it is undermined by the lack of a satisfying conclusion… Obie Award- and Outer Critics Circle Award-winning Hnath (“Red Speedo”; “A Doll’s House, Part 2”) carefully delineates each character with precise … Read more
Deborah Klugman – Stage Raw. Paula Vogel’s play, How I Learned to Drive, knocked it out of the park for critical acclaim when it opened in 1997. Directed by Mark Brokaw at Manhattan’s Vineyard Theatre, the premiere featured Mary-Louise Parker as a woman recounting the pain of her teen and pre-teen years under the sway of … Read more
Terry Morgan – ArtsBeat LA. Plays in which family secrets are tragically revealed are nothing new – Oedipus and his mom were shocking audiences back as far as 429 BCE. In the U.S., the 500 lb. gorilla of this genre would be Eugene O’Neill’s Long Day’s Journey into Night, and the most influential of recent plays of … Read more
Deborah Klugman – Stage Raw In 1960, Edward Albee and Harold Pinter were young playwrights whose work challenged theatrical convention and the expectations of critics and audiences. Both Albee’s brief two-hander, Fam and Yam, and Pinter’s lengthier one-act, The Dumb Waiter, received English language premieres that year — Albee’s at the Music Box Theatre on Broadway and Pinter’s at … Read more
Deborah Klugman – Stage Raw First produced with the title Gray’s Anatomy at New York’s Circle Rep Theatre in 1994, Jim Leonard’s family-oriented coming-of-age fable strives for the unvarnished poignancy of Thornton Wilder’s Our Town as it recounts the story of a fatherless teen in 1880s rural Indiana. Leonard’s revised version, published as Anatomy of Gray in 2006 and currently directed … Read more
Deborah Klugman – Stage Raw Man’s Favor Devil’s Plan, by Kwik Jones, takes place on the loading dock at the rear of a hotel in Los Angeles in 1938. The story concerns the relationship between the hotel’s White owner, an unmitigated racist and an otherwise cruel and unscrupulous individual, and the hotel staff, who are African … Read more
Terry Morgan – ArtsBeatLA When Harper Lee wrote her novel To Kill a Mockingbird in 1960, she didn’t think it would be a big success. Sixty-two years later, the book has been taught to millions of students in schools, was the source of a classic 1962 film of the same name, and recently inspired a theatrical version … Read more
Harker Jones – BroadwayWorld The world premiere of Arlene Hutton’s ACCORDING TO THE CHORUS is a lively slice-of-life look at the backstage antics of an unnamed Broadway show (that’s been running longer than CATS) in 1984. Set in a quick-change room devoted to six chorus girls and their three dressers, the makeshift family squabbles, complains, … Read more