Les Spindle – Edge on the Net In its shimmering revival of William Inge’s steamy 1953 classic, “Picnic,” the classics-focused Antaeus Theatre Company serves up a theatrical feast. Read more… David C. Nichols – LA Times The intimacy of small-town life and its stifling limitations permeate “Picnic,” which the thoughtfully representative staging at Antaeus Theater Company underscores without … Read more
Les Spindle – Frontiers L.A. Howard Skora’s zany dark comedy, directed by Jim Fall, stars veteran actress Patty McCormack (who is well-remembered as an 11-year-old Oscar nominee, playing a murderous moppet in the classic 1956 thriller The Bad Seed). Read more… Neal Weaver – Stage Raw Howard Skora’s black farce is constructed like a TV sitcom, but … Read more
Margaret Gray – LA Times Here’s a deal, L.A. theaters: We’ll happily watch all the liquored-up-dysfunctional-family-reunion dramas you care to stage, as long as you cast Anne Gee Byrd as the mother. Read more… Deborah Klugman – Stage Raw Like his other plays, Samuel D. Hunter’s A Permanent Image is set in the arid cultural wasteland of northern Idaho. Read … Read more
Bob Verini – Stage Raw Most people’s command of international finance and investment, I think it’s fair to say, probably cuts not much deeper than the “Money makes the world go around” lyrics from Cabaret. Yet in telling the sorry true-life saga of the titular Houston energy giant and its catastrophic demise, Lucy Prebble’s Enron coolly takes for granted … Read more
Deborah Klugman – Stage Raw The most interesting scene in this production of Donald Margulies’s 1992 play involves an encounter between Jonathan (Jason Weiss), a successful Jewish-American painter having a much-touted exhibition in London, and Grete (Casey McKinnon), an art journalist of German extraction who is interviewing him. Read more… Les Spindle – Frontiers L.A. The … Read more
Deborah Klugman – Stage Raw Like many plays that deal with our mortality, those about dementia can be extraordinarily affecting. They speak to a loss of self nearly as complete and devastating as our physical demise. Read more… David C. Nichols – LA Times The first glimmer of it comes on a Friday. They’ve flown me … Read more
Les Spindle – Edge on the Net Stephen Sondheim’s groundbreaking 1970 musical, “Company,” about romance and loneliness in the big city, remains a quintessential snapshot of the era in which it bowed, as viewed through the eyes of a commitment-phobic young bachelor. Read more… Jonas Schwartz – Arts In LA Launching a version of Company, Stephen Sondheim’s groundbreaking 1970s … Read more
Les Spindle – Frontiers L.A. Gifted New Zealand-based actress Lucy Lawless, known for her larger-than-life television roles, steps into yet another this December, courtesy of the Pasadena Playhouse. In the theater’s annual holiday season panto extravaganza, Sleeping Beauty and Her Winter Knight, the gay-favorite actress—who triumphed locally as ball-busting prison matron Mama Morton in the Hollywood Bowl’s Chicago last … Read more
Les Spindle – Edge on the Net This fall, a string of new musicals that spoof horror films was kicked off with “Scary Musical, The Musical” and “Scream!” Those productions are now joined by ”Serial Killer Barbie,”featuring a book and lyrics by Colette Freedman, with music and additional lyrics by Nickella Moschetti. Despite its amusing title, … Read more
Pauline Adamek – ArtsBeatLA Ann Noble gives a magnificent performance in Edward Albee’s absurd drama The Goat or, Who Is Sylvia?, now playing at the Los Angeles LGBT Center’s Davidson/Valentini Theatre. Ostensibly a study of the irreparable destruction of a perfect marriage, Albee softens us up with his dry humor and jokey lines swirling around a premise, … Read more