THE BENCH, A HOMELESS LOVE STORY at Hudson Guild Theatre

Neal Weaver  – Stage Raw This solo performance is written and performed by Robert Galinsky. In addition to being a writer and actor, Galinsky is a lifelong social activist, volunteering with numerous organizations, including teaching classes for incarcerated youth at New York City’s Rikers Island Detention Center.Read more… Now running through November 9

OLD CLOWN WANTED at the Odyssey Theatre

Neal Weaver  – Stage Raw Romanian-French experimental playwright Matei Visniec began his prolific writing career in Bucharest, but because of the strict censorship at the time, none of his plays could be produced. He sought political asylum in France and began writing in French.Read more… Now running through November 4

BEETHOVEN at the Wallis Annenberg Center

Neal Weaver  – Stage Raw Actor/writer/musician/producer/designer/musicologist Hershey Felder is about as close as they come to a modern Renaissance man. He has racked up an impressive array of musical biographies — one-man shows in which he plays noted composers. But this time there’s a difference. As narrator, Felder portrays not Beethoven but his friend and … Read more

MAYAKOVSKY AND STALIN at the Lounge Theatre

Neal Weaver  – Stage Raw Murray Mednick’s play, having its world premiere, is a tale of two suicides: that of the Russian Futurist poet Vladimir Mayakovsky, who shot himself in the heart in 1930, and that of Nadezhda Alliluyeva (Nadya), the second wife of Joseph Stalin, who shot herself in her bedroom during a Communist … Read more

RUMORS at The Lonny Chapman Theatre

Neal Weaver  – Stage Raw Prolific playwright Neil Simon made his name with a long and successful series of character- driven comedies, including The Odd Couple, The Prisoner of Second Avenue, and Plaza Suite — but with this play he felt the need for a change of pace, and set out to produce a zany, … Read more

TAR at Atwater Village Theatre

Neal Weaver  – Stage Raw It’s Los Angeles in 1939. Count Basie and his band are scheduled to play at the Palomar Ballroom — one of the first African-American groups to perform there. Next door, at Bimini Baths, two employees, African-American Amen (Noel Arthur) and Mexican-American Zenobio (Adrian Gonzalez) have been given the onerous job … Read more

LONG DAY’S JOURNEY INTO NIGHT at the Wallis Annenberg Center for the Performing Arts

Ellen Dostal – BroadwayWorld Halfway through Act I of Eugene O’Neill’s LONG DAY’S JOURNEY INTO NIGHT at the Wallis, I was looking at Rob Howell’s see-through set design when it dawned on me. People who live in glass houses shouldn’t throw stones. If only the Tyrones had gotten the memo.Read more… Neal Weaver  – Stage … Read more

THE TEMPEST at the Whitmore-Lindley Theatre Center

Ellen Dostal – BroadwayWorld A gaunt Leon Russom conjures up more pathos than normal as the aged Prospero in the Porters of Hellsgate’s production of THE TEMPEST. Whether it is due to the fact that the actor has been battling pneumonia, which took him out of the show opening weekend mid-performance, or that his interpretation of the … Read more

SEX at the Hudson Mainstage

Neal Weaver  – Stage Raw We don’t think of Mae West as a literary figure, but she wrote three plays — Sex, The Drag, and Pleasure Man. All were produced on Broadway, and all were closed by the police on grounds of obscenity. This seems hard to fathom, since nowadays they seem no more obscene (or even risqué) … Read more