MUTT HOUSE at the Kirk Douglas Theatre

Erin Conley – On Stage & Screen Have you ever wondered what it would be like if you could talk to dogs? For Eddie (Ryan McCartan), the main character in Mutt House, a new musical now in its world premiere at the Kirk Douglas Theatre in Culver City, this is his reality.   Read more… Ellen Dostal … Read more

THREE DAYS IN THE COUNTRY at the Kiki & David Gindler Performing Arts Center

Erin Conley – On Stage & Screen Love has a tendency to make fools out of people, and that is certainly the case in Three Days in the Country, Patrick Marber’s condensed adaptation of Ivan Turgenev’s A Month in the Country, now in its west coast premiere at Antaeus Theatre Company in Los Angeles.Read more… … Read more

ON YOUR FEET at the Pantages Theatre

Erin Conley – On Stage & Screen On Your Feet, the jukebox musical based on the lives and tunes of Gloria and Emilio Estefan, opened at the Hollywood Pantages Theatre last night in colorful, vibrant fashion—but it was not one of Ms. Estefan’s hit songs that drew the loudest applause of the evening.Read more… Ellen … Read more

THE HUMANS at the Ahmanson Theatre

Erin Conley – On Stage & Screen Despite an impressive pedigree, there is little that’s flashy about The Humans, the 2016 Tony Award winner for Best Play that opened this week at Center Theatre Group’s Ahmanson Theatre. Written by Stephen Karam with the entire original Broadway cast reprising their roles, the one-act play unfolds over the … Read more

LONG DAY’S JOURNEY INTO NIGHT at the Wallis Annenberg Center for the Performing Arts

Ellen Dostal – BroadwayWorld Halfway through Act I of Eugene O’Neill’s LONG DAY’S JOURNEY INTO NIGHT at the Wallis, I was looking at Rob Howell’s see-through set design when it dawned on me. People who live in glass houses shouldn’t throw stones. If only the Tyrones had gotten the memo.Read more… Neal Weaver  – Stage … Read more

CABARET at the Celebration Theatre

Katie Buenneke – Stage Raw By now, Kander and Ebb’s 1966 musical Cabaret is as much a part of the American musical theater canon as Oklahoma. While it’s much darker than most of its Rodgers and Hammerstein counterparts (save, perhaps, for Carousel), it now feels like an old standby, performed by regional theaters and colleges nationwide. Read more… Rob Stevens … Read more

THE COLOR PURPLE at the Pantages Theatre

Erin Conley – On Stage & Screen How is it possible that a musical based on a book written nearly 40 years ago feels more timely than ever today? The tour of the Tony-winning Broadway revival of The Color Purple just opened at the Pantages Theatre, and its messages of female empowerment in the face of … Read more

SOFT POWER at the Ahmanson Theatre

Ellen Dostal – Musicals in LA It takes an incredible amount of work to create a new musical, and to dream up one that is different from any other musical already written is an even more complicated developmental process. The blood, sweat, tears, and years that go into it are not for the faint of … Read more

RED SPEEDO at the Road Theatre Company

Lovell Estell III — Stage Raw The legendary Vince Lombardi once declared that, “Winning isn’t everything; it’s the only thing.” (Actually the slogan was first voiced by UCLA Bruins football coach Henry Russell “Red” Sanders in 1950; Lombardi probably got it from him). It has now become a venerated mantra, a toxic call to action willingly embraced … Read more

SEX at the Hudson Mainstage

Neal Weaver  – Stage Raw We don’t think of Mae West as a literary figure, but she wrote three plays — Sex, The Drag, and Pleasure Man. All were produced on Broadway, and all were closed by the police on grounds of obscenity. This seems hard to fathom, since nowadays they seem no more obscene (or even risqué) … Read more