Terry Morgan – Stage Raw “I very much wanted to like Our Dear Dead Drug Lord, but even Pablo Escobar could tell that this package is suspiciously light.” Read more… Jonas Schwartz – Theatermania Children shouldn’t play with dead things. But it’s a warning that four high school teens of a banished school club … Read more
Harker Jones – BroadwayWorld The most Fractured of Fairy Tales, “Peter Pan Goes Wrong” is the tonic we all need right now. Read more… Katie Buenneke – Theater Digest Peter Pan Goes Wrong at the Ahmanson [LA]. When this show is good, it’s great, and has some of the most side-splitting comedic moments I’ve experienced … Read more
Terry Morgan – Stage Raw For some unknown reason, Southern California is having a little theater horror boom at the moment, with at least four shows playing concurrently – Beetlejuice, Exorcistic, The Ants and Misery. As a horror fan, I intend to see them all. I previously expressed my disappointment with The Ants in my … Read more
Martίn Hernández – Stage Raw Director Nike Doukas adds a three-piece combo and rocking beat to Shakespeare’s tale of magic, revenge, and love in a production that is part musical, part radio play, and all fun. Rather than a set that depicts the play’s island motif, Doukas and scenic designer Angela Balogh Calin strategically place … Read more
Terry Morgan – Stage Raw Horror is not a genre that has traditionally worked well in theater. There are certainly some outliers such as The Woman in Black, but overall spooky fare is thin on the ground, theatrically speaking. Thus when I read that the Geffen Playhouse was producing a “horror play” called The Ants … Read more
Jonas Schwartz – Theatermania Power is an illusion in Will Power’s startling play Fetch Clay, Make Man, now running at the Kirk Douglas Theatre in Los Angeles. All the characters believe they have control of their destinies, but each is desperate to break free from someone’s influence — even Muhammad Ali, marvelously played by Ray … Read more
Terry Morgan – Stage Raw There have already been films and other works of art concerning the “Me Too” movement, but No Place Like Gandersheim is the first play I can think of that talks about its aftermath. That isn’t even the main subject of the piece, which concerns the plight of a woman writer … Read more
Terry Morgan – ArtsBeat LA, reviewed at Rubicon Theatre, January 2023. The first time I saw a play by Will Eno was about 15 years ago, by Circle X Theatre Company of The Flu Season. It was an excellent production in many ways, but there was one scene in which a character died, and instead of having … Read more
Jonas Schwartz – Theatermania Ava: The Secret Conversations, written by and starring Elizabeth McGovern, looks at the life of golden-age movie star Ava Gardner. But oddly, it focuses more on a periphery character, a sycophantic hack writer. This might come as a disappointment to those who want to spend time with Gardner rather than this … Read more
Deborah Klugman – Stage Raw. In Manuel Puig’s stage play, Kiss of the Spider Woman, two fundamentally different personalities — a gay man accused of sexual relations with a minor, and a political prisoner-slash-macho straight guy working to overthrow a repressive regime — are housed together in a dingy cell with wretched food, dim lighting, … Read more