LADCC Critics 
Deborah Klugman – Stage Raw. Paula Vogel’s play, How I Learned to Drive, knocked it out of the park for critical acclaim when it opened in 1997. Directed by Mark Brokaw at Manhattan’s Vineyard Theatre, the premiere featured Mary-Louise Parker as a woman recounting the pain of her teen and pre-teen years under the sway of … Read more
Don Shirley – Angeles Stage. Plus Geffen’s ‘Breath,’ Kristina Wong, and more. A flood of openings gushed through Greater LA theaters in February — although two of the new productions were delayed by an outbreak of COVID. During the first weekend of the month, South Coast Repertory in Costa Mesa planned to activate the “repertory” … Read more
Steven Leigh Morris – Stage Raw. There couldn’t be a more worthy topic for a play in these fractious times: Where and how do we find truth? The question would be more potent if one could believe this play’s central premise. The Lifespan of a Fact contains some scintillating, if inert, arguments: inert, because none of … Read more
Katie Buenneke – Stage Raw. I must start this review by confessing that this production of Much Ado About Nothing is a victim of my own expectations. Much Ado is my favorite Shakespearean text, and I’ve always respected the craft A Noise Within puts into their productions of the classics. I expected to love this show — but sadly, … Read more
Terry Morgan – ArtsBeat LA. As part of its “Sondheim Celebration” this year, the Pasadena Playhouse has a new production of Sunday, but although it is professionally done and largely enjoyable, a couple of issues in direction and performance keep this show from being everything it could be… Alabado is terrific as Dot, an appealing combination of … Read more
Dana Martin – Stage Raw. Jonathan Larson’s semi-autobiographical rock musical tick, tick…Boom! opens the 2023 season at Long Beach International City Theatre. The production is earnest but struggles to find synthesis… Ernesto Figueroa’s Jon is charming and gently guides the musical’s throughline, sometimes struggling to find the character’s emotional range. Samantha M. Lawrence is a versatile performer, … Read more
Rob Stevens – Haines His Way. For my first theatre review of 2023, I ventured out to Theatre West in Hollywood and joined the lively audience for Storybook Theatre’s opening performance of Hansel and Gretel. Lloyd J. Schwartz wrote the book (he also directed) and the music and lyrics for eight songs were provided by Hope … Read more
Tracey Paleo – BroadwayWorld. There are defining moments in our lives where we either shrink away in fear or make a stand at all costs. In 2020, at the beginning of a global health crisis, under the order of a shelter-in-place lockdown, Kristina Wong faced such a moment. And in that moment, Kristina Wong became … Read more
Patrick Chavis – The Orange Curtain Review. Little Foxes is an older play from the 1930s written by Lillian Hellman, a famous Broadway playwright. It’s wonderful we still have new productions of these old classics. Are some of the ideas dated — most definitely. But they provide us access to the time and the mindset of … Read more
Socks Whitmore – Stage Raw. John Perrin Flynn, the producing artistic director of Rogue Machine Theatre, states clearly in the program for their latest production: “We don’t do musicals.” And yet, the show itself — the world-premiere run of Come Get Maggie, a feature-length retro science-fiction/forbidden romance created by Diane Frolov and Susan Justin — is exactly … Read more