Deborah Klugman – LA Weekly Nat Turner: Following Faith, Paula Neiman’s nigh three-hour-long play (with intermission), attempts to fill the gaps in what knowledge we may have about this historic personage, dramatizing the events of record and adding a conjectured account of Nat’s (Tarnue Massaquoi) relationships with his mom, grandmother, father, followers and wife. The … Read more
Myron Meisel – Stage Raw Since its founding in 2010, The Industry, under the daring leadership of artistic director Yuval Sharon, has pursued a new media makeover meant to shake up not merely the Los Angeles opera world but the world at large. Its extraordinary coup de theatre, 2013’s Invisible Cities, commandeered Union Station as singers and … Read more
Jenny Lower – Stage Raw On Friday, ESPN announced the dismantling of its popular sports and culture site Grantland, eliciting shock and disappointment on the web. The move comes a few weeks after ESPN cut 300 jobs, reportedly to make up lost cable subscription revenue. It is, unfortunately, only the latest sobering development to challenge the … Read more
Deborah Klugman – Stage Raw Images of skulls and skeletons are viewed as chilling or comic in our own culture, but they represent something else in Day of the Dead, the Latin American holiday in which people honor the memory of those they’ve loved and lost. Read more…
Terry Morgan – Stage Raw As Pete Townshend was once known to opine, “The world begins behind your neighbor’s walls.” It’s one of the core mysteries of modern life – what do people do or say when they think they’re unobserved or unheard? Read more… Deborah Klugman – LA Weekly The characters In Jonathan Caren’s contemporary … Read more
Paul Birchall – Stage Raw This amusing one-act by the late playwright John Mortimer is a genial, slight piece and touchingly old fashioned. You just don’t really see this sort of play anymore: an intimate two-hander involving a pair of fellows who sort of banter and bluster with each other. Read more… Now running through November … Read more
Paul Birchall – Stage Raw Howlround, the indispensable national sounding board for theatrical philosophy and policy, has announced the formation of something slightly creepy called “The Committee of the Jubilee.” Read more…
Jonas Schwartz – Arts In LA When Rent arrived at the Nederlander Theatre in 1996, a block from New York City’s famed 42nd Street, it was revolutionary. Never before had a musical brought punks, drag queens, gays, lesbians, and AIDS patients to the mainstream. Read more…
Keith Mills, Anton Chekhov, and Seven Spots on the Sun Steven Leigh Morris – LA Weekly Keith Mills was an actor. He was other things, too. He ran, or was part of, a soft-water company in the San Gabriel Valley. He was a husband, father and grandfather. But mainly, he was an actor, from Toronto. He … Read more
Margaret Gray – LA Times My wife is waiting at our front door for me to finally come home from the war,” says Simon Wiesenthal as he leaves his office for the last time in Tom Dugan’s beautifully written and performed one-man bio-play “Wiesenthal,” now at the Wallis Annenberg Center for the Performing Arts. Read more… … Read more