Steven Leigh Morris – LA Weekly “That’s the story!” repeated with droll unctuousness becomes a motif in actor Barry McGovern’s solo performance of stories by Samuel Beckett, presented by the Gate Theatre of Dublin at the Kirk Douglas Theatre. The texts — “Molloy,” “Malone Dies” and “The Unnamable” — were selected by McGovern and Gerry … Read more
Hoyt Hilsman – Huffington Post This performance piece by Samoan choreographer Lemi Ponifasio, which had its world premiere at the Radar Festival in Los Angeles this week, is a perplexing work. On the one hand, it has a powerful and truthful core – it was developed by a group of Maori women as a response … Read more
SLEEPLESS IN SEATTLE – Music by Ben Toth, lyrics by Sam Forman. Hoyt Hilsman – Huffington Post After a long journey from the screen to the musical stage – which included numerous comings-and-goings of composer/lyricist teams – the Sleepless in Seattle musical has arrived at the Pasadena Playhouse. It is a huge challenge to adapt … Read more
THE CRUCIBLE by Arthur Miller. Neal Weaver – LA Weekly Arthur Miller’s play, first produced on Broadway in 1953, was Miller’s impassioned response to McCarthyism and the witch-hunts launched by the House Un-American Activities Committee. But the fact that it has become an oft-produced American classic and the basis for two films (including a French version with … Read more
Master Class by Terrence McNally. David C. Nichols – L.A. Times It’s a softer-grained “Master Class” than usual in Long Beach, but just try to look away. Although more muted than some past editions, this adroit International City Theatre revival of Terrence McNally’s Tony-winning fantasia on Maria Callas’ life and art carries real immediacy and thematic point. Read more… Hoyt Hilsman – The Huffington Post Gigi … Read more
French Stewart, TV star (“3rd Rock From the Sun”) and local theatre mainstay (“Stoneface”: “Voice Lessons”) will host the 44th Annual Los Angeles Drama Critics Circle (LADCC)Awards on Monday, March 18, 2013 at the Los Angeles Theatre Center, 514 S. Spring St. Downtown. Tickets for the show and opening reception, which will start at 6:30 pm, can be reserved by e-mailing crixawards2013@gmail.com. All … Read more
The Miser by Moliere, adaptation by Lance Davis. Hoyt Hilsman – The Huffington Post Los Angeles has a star shining brightly in its theatrical firmament. Parson’s Nose Productions, a small ensemble troupe in Pasadena, has the unique mission of presenting classic stories in shorter, entertaining and more contemporary formats to appeal to the broadest possible audiences, young and … Read more
The Snake Can by Kathryn Graf. Hoyt Hilsman – The Huffington Post Kathryn Graf’s paen to the perils of middle-aged dating has a solid premiere under the skillful direction of Steven Robmanand a very talented ensemble of actors. Set in the romantic jungle of New York City, Graf’splay focuses on the lives and loves of Harriet (Jane Kaczmarek), widowed with … Read more
Seminar by Theresa Rebeck. Hoyt Hilsman – The Huffington Post Plays about writers and writing present major challenges for both audiences and playwrights. Because writing is such an internal process, full of grinding frustration and occasional exhilaration, it is a tough subject to portray on stage. Playwright and film/TV writer Theresa Rebeck makes a valiant but flawed assault on … Read more
You Can’t Take It With You by George S. Kaufman and Moss Hart. Dany Margolies – ArtsInLA.comThe family at the heart of this George S. Kaufman–Moss Hart play is so cheerful, non-critical, and forgiving, it’s obviously sheer fantasy. It’s certainly unusual on stages so often filled with alcoholism, abuse, manipulation, and self-loathing. The Vanderhofs and Sycamores and their hangers-on live for … Read more