Terry Morgan – Stage Raw When I was reading the press material for Lily Rushing’s Desert Stories for Lost Girls, I encountered the term genízaro for the first time. One definition of the word I discovered online defines it as: “…detribalized Native…
It was a great night at the 50th Annual Los Angeles Drama Critics Circle Awards at Pasadena Playhouse on Monday, April 8th. Congratulations to all of the award recipients and to everyone whose outstanding work received a nomination. We are proud to…
Terry Morgan – Stage Raw Theatrically, Los Angeles is blessed in many ways, and one of them is the presence of Native Voices at the Autry, the only Equity theatre company devoted exclusively to developing and producing new works from…
Deborah Klugman – Stage Raw Native rights activist Mary Kathryn Nagle is an attorney as well as a playwright. Her latest work, Fairly Traceable, now premiering at Native Voices at the Autry, is a legal drama that pits a group of…
The Bird House by Diane Glancy. Pauline Adamek – LA Weekly Cherokee playwright Diane Glancy offers a sad slice of contemporary country life in a small, dusty town in West Texas. Struggling with a dwindling congregation in his (almost) ghost town, evangelical preacher Jonathan…