Paul Birchall – Stage Raw Stan Rich and Ronnie Jayne’s flippant tour de force about taxation with musical representation is a charming affair, though hardly enough to shake off our rage relating to any recent adventures with the I.R.S. Rich and Jayne’s sweet musical slides by a fair way on upbeat silliness, while the straightforward … Read more
Harold Pinter’s Betrayal may revolve around an adulterous triangle, but the tone and language of the play are as restrained, as understated and as famously precise as anything else in his poetically taut compendium of work. Read more… Now running through May 17.
Terry Morgan – Stage Raw Rebecca Gilman’s 2000 play about stalking, Boy Gets Girl, unfortunately hasn’t become any less relevant 15 years after its initial production. Her observations that male dominance and female submission is culturally reinforced, and that most “romantic” movies are essentially stalker how-to guides, still hold true, which gives the play an undeniable … Read more
Myron Meisel – Stage Raw The prophet Ezekiel, preaching to the Babylonian exiles, decried the maxim that “the fathers have eaten sour grapes, and the children’s teeth turn out,” insisting that each generation was responsible for its own sins. While as moralists we might agree, if we eschewed the concept, where would the modern theater … Read more
Steven Leigh Morris – LA Weekly Ground Control to Major Tom: David Bowie, Richard Nixon, the Cold War, the women’s liberation movement, early Steven Spielberg movies and a staff-impaired NASA space program from 1973 all combine into a Mel Brooks aesthetic in Bill Robens’ world-premiere farce Entropy, which just opened at Hollywood’s Theatre of NOTE. Read … Read more
David C. Nichols – LA Times A recurring pulse of pure exhilaration with purpose spins through “Recorded in Hollywood” at the Lillian Theatre.Though not without new-show quirks, Matt Donnelly, Jamelle Dolphin and Andy Cooper’s fervent, thoughtful musical study of legendary record store Dolphin’s of Hollywood and its visionary namesake is interesting, entertaining and frequently thrilling. … Read more
Melinda Schupmann – Showmag.com Garnering numerous awards at the New York Musical Theatre Festival in 2011, it has been re-worked as a full-scale production and is McCoy Rigby Entertainment’s first world-premiere musical. Fresh and imaginative, it takes the finest features of Jane Austen’s classic novel and musically highlights the love stories of its principal characters. Read … Read more
Steven Leigh Morris – LA Weekly Corktown 57 unfolds entirely in the Irish-quarter grocery-shop basement of Frank Keating (John Ruby), who’s having difficulties with his wife (Natalie Britton, in a nicely textured performance). Read more… David C. Nichols – LA Times Family dynamics and political ire mix it up in “Corktown ‘57” at the Odyssey Theatre. Playwright John … Read more
Neal Weaver – Stage Raw The published text of Tennessee Williams’ play is rife with stage directions insisting that it’s not a realistic play, but its production history suggests that Williams didn’t trust his own creation. When it’s performed with honesty and simplicity, as it is here, debates about realism vs. memory seem merely academic. Read … Read more
Terry Morgan – Stage Raw The things that are good about Rajiv Joseph’s new play Mr. Wolf outweigh the things that are misguided, enough that one hopes the author will use this world premiere to tighten the play’s focus and deepen its impact. The current production at South Coast Repertory benefits from an excellent cast and a … Read more