Margaret Gray – LA Times For much of Samuel Brett Williams’ “Derby Day,” in its L.A. premiere at the Elephant Theatre (which gave Williams’ “Revelation” its world premiere last year), the sole sympathetic character onstage is Becky (Kimberly Alexander), a waitress at Oaklawn Park Race Track in Arkansas. Read more… Neal Weaver – Arts in LA You … Read more
Don Shirley – LA Observed Con artistry requires the ability to get the victims to suspend disbelief – the same quality that theatrical artistry usually requires of audiences. David C. Nichols – LA Times “Tartuffe” returns to A Noise Within’s repertoire after 22 years, and it proves worth the wait. Molière’s deathless assault on religious … Read more
Les Spindle – Edge on the Net The best news about the Colony Theatre’s production of Lissa Levin’s comedy “Sex and Education” is the star performance of Stephanie Zimbalist, the accomplished veteran of stage, film and television, who is perhaps most widely known for her role as a sexy detective in the hit 1980s television … Read more
Bob Verini – Arts in LA The Echo Theater Company has gone to some lengths to sidestep, in its pre-opening publicity, the subject matter of Tommy Smith’s remarkable new play titled Firemen. The world premiere drama is described as “a different kind of love story” that “explores an unthinkable love relationship,” though what proves unthinkable is … Read more
Neal Weaver – Arts in LA Adam Rapp’s haunting solo-drama startles with its very first line: “Fifteen years ago I killed my sister.” Then the narrator, who is identified only as The Son (Belgian actor George Regout), goes on to reveal the circumstances of the death. When he was 19, he was driving home on … Read more
Margaret Gray – LA Times “A Cat Named Mercy,” a new play by Josefina López (“Real Women Have Curves”) premiering at Casa 0101 Theater, is full of reformist passion but feels underbaked. Perhaps it was rushed into production to capitalize on the Obamacare controversy. A cautionary tale about U.S. health insurance, “Cat” has the fervor and subtlety … Read more
Jonas Schwartz – Arts In LA Let’s Misbehave culls many of Cole Porter’s hits and some of his rarities to create a surprisingly touching love triangle. A winning cast of three takes what could have just been a revue of hit-parade songs and makes the audience believe these songs are originating from the characters’ hearts. Read more… … Read more
David C. Nichols – LA Times “I’m smarter than most people. That’s why I’m unemployed and living in a one-bedroom apartment in Hollywood.”So says the protagonist of “The Twilight of Schlomo” at the Elephant Space, and there’s more than just sardonic humor in that assessment. Timothy McNeil’s maturation into one of our most original playwrights … Read more
Melinda Schupmann – Arts In LA We take pills to sleep, pills to stay awake, pills to diet, pills to prevent pregnancy. Why not a pill to help you like your job? Such is playwright Kate Fodor’s premise in the witty and very contemporary cautionary tale about our societal desire for chemicals to make life … Read more
Deborah Klugman – LA Weekly Wit and the magic of a well-designed spectacle combine in the beguiling, interactive adaptation Aladdin and His Winter Wish, embellished with comic characters, polished performances and colorful tech and costumes. Directed by Bonnie Lythgoe, Kris Lythgoe’s engaging script preserves the basic story of a penniless youth (Jordan Fisher) who garners wealth … Read more