AN APOLOGY

AN APOLOGY FROM BOB VERINI, PRODUCER OF THE LADCC AWARDS SHOW 3/19/13 Dear Friends of the LADCC: Thank you so much for your support of our efforts at last night’s awards show. We are so pleased at the reactions to the event and the delighted reactions so many of the nominees, recipients, presenters, sponsors, and audience … Read more

LADCC Annual Awards – Monday March 18th – Host and Presenters announced

French Stewart, TV star (“3rd Rock From the Sun”) and local theatre mainstay (“Stoneface”: “Voice Lessons”) will host the 44th Annual Los Angeles Drama Critics Circle (LADCC)Awards on Monday, March 18, 2013 at the Los Angeles Theatre Center, 514 S. Spring St. Downtown. Tickets for the show and opening reception, which will start at 6:30 pm, can be reserved by e-mailing crixawards2013@gmail.com. All … Read more

The Miser, Parson’s Nose Productions

The Miser by Moliere, adaptation by Lance Davis. Hoyt Hilsman – The Huffington Post Los Angeles has a star shining brightly in its theatrical firmament. Parson’s Nose Productions, a small ensemble troupe in Pasadena, has the unique mission of presenting classic stories in shorter, entertaining and more contemporary formats to appeal to the broadest possible audiences, young and … Read more

Volunteers needed for LADCC Awards eve – Mon 3-18-13

Los Angeles Drama Critics needs Volunteers for Monday, March 18, at the LA Theatre Center, Downtown LA. Are you friendly? Are you fun?  Do you want to meet theater professionals? Help your theatre community – and make new friends and contacts in the process – by volunteering at the 44th Annual Awards show of the LA Drama Critics Circle. The awards … Read more

The Bird House, Native Voices at the Autry

The Bird House by Diane Glancy. Pauline Adamek – LA Weekly Cherokee playwright Diane Glancy offers a sad slice of contemporary country life in a small, dusty town in West Texas. Struggling with a dwindling congregation in his (almost) ghost town, evangelical preacher Jonathan (aka Reverend Hawk, played by Choctaw actor Randy Reinholz) and his dependent sisters face eviction from … Read more

Nice turnout for Nominees Reception, March 4th, 2013

It was a convivial group of actors, directors and theater artists of all kinds who mingled with the Los Angeles Drama Critics Circle (LADCC) members last night at the lovely theater space of Los Angeles Theatre Center (LATC) in Downtown LA.  Gathering were the nominees for this year’s LADCCawards ceremony. The LATC is generously providing their venue for the awards night, to … Read more

Company, Crown City Theatre

Company by Stephen Sondheim. Pauline Adamek – LA Weekly Stephen Sondheim composed the lyrics and score to his innovative “concept musical” in 1970, with book by George Furth. For a comedy musical about love, it proves resolutely unromantic and honest. And, surprisingly, its acerbic wit and laser-like scrutiny of marriage, dating and relationships does not feel at all dated. … Read more

Oklahoma! Musical Theatre West

Oklahoma! by Richard Rogers and Oscar Hammerstein II. Shirle Gottlieb – Gazette Newspapers Written in 1943 by musical titans Richard Rogers and Oscar Hammerstein II, Oklahoma! was a theatrical milestone that changed the face of musical theater forever.   Read more… David C. Nichols – LA Times A bright golden haze of timeless musical theater invention suffuses Oklahoma! at the Carpenter Center. It carries Musical Theatre West’s affable, fleet-footed 70th … Read more

I’ll Be Back Before Midnight, Colony Theatre Company

I’ll Be Back Before Midnight by Peter Colley. Sharon Perlmutter – TalkinBroadway.com I’ll Be Back Before Midnight is the sort of play that screams “regional theatre staple.” A four-character comic thriller, it doesn’t try to be anything more than what it is: a sometimes funny, sometimes jump-inducing diversion. In its Los Angeles premiere production at the Colony Theatre, it … Read more

Cassiopeia, The Theatre @ Boston Court

Cassiopeia by David Wiener. Sharon Perlmutter – TalkinBroadway.com David Wiener’s Cassiopeia is beautiful, intelligent, and delightful to listen to. To be sure, it isn’t much of a play. The script itself calls the piece a “duet,” which does seem a bit closer to the truth. It’s two poetic monologues, inextricably intertwined and occasionally interspersed with an actual scene. Read more…