LADCC Critics 
Deborah Klugman – Stage Raw Children’s author Kate DiCamillo won the 2006 Boston Globe-Horn Book Award for fiction for The Miraculous Journey of Edward Tulane, about a pretentious porcelain rabbit and the misadventures that befall him before he learns about humility and love.Read more… Now running through May 19
Jonas Schwartz – Arts In LA Catch Me If You Can, based on the hit Steven Spielberg movie, is a swingin’ ’60s musical by the composers that brought Hairspray to the stage. At Musical Theatre West, director Larry Raben captures the energy of ’60s television variety specials…….Read more… Now running through April 14
It was a great night at the 50th Annual Los Angeles Drama Critics Circle Awards at Pasadena Playhouse on Monday, April 8th. Congratulations to all of the award recipients and to everyone whose outstanding work received a nomination. We are proud to recognize your accomplishments. Thank you to everyone who attended the show and thanks to photographer Meredith … Read more
Our award show co-producer Bob Verini received a note of thanks from Tom Hanks, who was unable to accept his award for Lead Performance in person Monday night at our 50th anniversary award celebration at Pasadena Playhouse. With his permission, we share it with you and offer him, and all of our award winners, our hearty … Read more
The Los Angeles Drama Critics Circle announced the recipients of its 50th annual awards for distinguished achievement in theatre tonight at Pasadena Playhouse. Wenzel Jonespresided over the festivities, and Christopher Raymond served as music director. There were four recipients of the 2018 Production award: Cambodian Rock Band (South Coast Repertory), Come From Away (Center Theatre Group/Ahmanson Theatre), Cry It Out (Echo Theater Company), and Sell/Buy/Date (Geffen … Read more
On the occasion of our 50th Anniversary, past and present LADCC members share some of their most memorable moments in LA Theater. WIN BLEVINSWhen I was new as the Herald-Examiner entertainment editor, Hair opened in town. It was that season’s sensation—I was dying to review it. My very conservative publisher, George Hearst, sent word that his newspaper would not … Read more
Deborah Klugman – Stage Raw This program of original work in the Actors’ Gang One Act Festival illustrates how a misguided directorial choice can undermine a strong piece of writing, while a sketchier script can be illuminated by a gifted performance.Read more… Now running through April 20
Erin Conley – On Stage & Screen Believe it or not, the characters in the musical version of Charlie and the Chocolate Factory do not actually enter the titular chocolate factory until the very end of act one. That’s right, over an hour in to this perplexing adaptation there is nary an Oompa Loompa in sight.Read more… … Read more
Deborah Klugman – Capital & Main Evelina Fernández’s world premiere play, The Mother of Henry, is set within Los Angeles’ Eastside barrio, Boyle Heights, in 1968. It was a watershed year. Although change was in the wind — the anti-war protests, civil rights marches, the farmworkers’ strikes — the murders of MLK and Bobby Kennedy, just two … Read more
Lovell Estell III — Stage Raw In the lobby of the theater in a plastic case, there is a life-size reproduction of the skeleton of Joseph Merrick, or “John” as he is referenced in the script for The Elephant Man. The night this reviewer attended, there was a small crowd gathered around it, staring in wonder … Read more